REMIC W3000 G1/WLM Brass and Woodwind Mic. for Wireless Systems

The REMIC W3000G1/WLM supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters which enables you to gain maximum flexibility to move around on stage during live productions.

It also enabels you to connect the W3000 G1/WLM to a standard XLR wired connection.

Due to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The W3000 G1/WLM is based on the same principle as the W3000 G1 model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your W3000 G1/WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.

In order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:

REMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:

RAD 001 | adapter for XLR 48 volt phantom

RAD 003 | TRS 3.5 connector
For Remic studio/live and Live mic to Sennheiser EW-series.
SK100G3/G4, SK300G3/G4, SK500G3/G4, Transmitter module 3.5 TRS w/screw lock connector.

RAD 006 | TA4 connector
For Remic studio/live and Live to SHURE with TA4F connector.
BLX1, FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)
Transmitter module with TA4M connector.

RAD 010 | LEMO-3 connector
For Remic studio/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

ABOUT THE W3000 G1/WLM

The REMIC W3000 G1/WLM is specially designed for brass & woodwind instruments and can be used in any type of live, studio, theatre and broadcast production, and delivers a natural sound response while offering a high suppression of ambient sound sources.

So if you need a microphone with a natural sound and low acoustic feedback response, the REMIC W3000 G1/WLM is the answer.

The microphone housing of the REMIC W3000 G1/WLM is made of black natural rubber to ensure fast, flexible and reliable mounting and comes with a 4 mm cotton woven MOGAMI cable with a length of 2 meters. The microphone can easily be mounted on the bell of the instrument, pointing towards the neck and top valves. This position ensures a fine interaction between the fundamental- and overtone- register of the instrument.

The REMIC W3000 G1/WLM is suitable for brass and woodwind instruments such as; saxophone, trumpet, french horn, flugelhorn, cornet, sax horn, tuba, trombone, tenor horn, baritone horn, euphonium and any related brass or woodwind instruments.

STATEMENTS

(All statements are about the previous version W3000)

Philip Daveby
”I’m really thrilled about the Remic W3000! This is a top of the line microphone with a fantastic natural sound. I love how it makes me sound really great and at the same time is very tiny and sits perfectly on my horn. The way it allows me to move around on stage and in the audience without worrying about feedback is incredible and will definitely make my playing easier and more fun.” – Philip Daveby – saxophone

Jonne Bentlöv
“The Remic W3000 is simply one of the finest clip mics I have tried so far. Apart from the rich and natural sound, it also has great isolation wich makes it easier to control in the mix and perfect for using with electronics, preventing leaking from other sounds on stage.” – Jonne Bentlöv – trumpet (Bo Kaspers Orkester, First Aid Kit, Andreas Moe)

Pamela Williams
“I tried the mic plugged directly into a mixer and it sounds fantastic! I also plugged it into my digital audio recording program and it sounds very clean and bright and projected a nice tone from my sax.“ – Pamela Williams – saxophone

Caroline Toftild
“My first impression of the REMIC W3000 microphone is extremely positive – An excellent microphone – Clear and beautiful sound – The REMIC W3000 is very well designed and extremely easy to mount and unmount – even during a live gig” – Caroline Toftild – trumpet

Jens Dandanell
“Remic totally rethinks instrument-micing. Unbelievable combination of clarity and isolation from the rest of the stage sounds.” – Jens Dandanell – FOH (FLOD)

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