- CORE by DPA technology inside
- Supercardioid instrument condenser microphone
- Handles high SPLs
- Superior gain-before-feedback
- Flexible and easy mounting
- Gentle and easy to mount on the instrument
- Detachable cable and a versatile gooseneck extender
Now with CORE by DPA technology
- 4099 CORE Mic, Loud SPL (red marking on gooseneck) – used to close-mike most types of instruments
- 4099 CORE Mic, Extreme SPL (yellow marking on gooseneck) – used to close-mike extremely loud instruments, such as drums and some brass
IP58 certified
The CORE 4099 comes with an XLR connector as an adapter. The microphone can easily be connected to a wireless system via an adapter from our extensive range of wireless adapters.
The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
You can buy a single 4099, with or without a specific instrument clip, or you can choose a kit designed specifically for rock or classical applications. These kits come in 4-piece and 10-piece sets combined with the appropriate adapters, clips and cables that make it a breeze to set up your stage.
The mics in this series come in two versions. The 4099, Loud SPL is perfect for use on a wide range of instruments – from the flute to the guitar, and everything in between. With a max SPL, peak before clipping of 152 dB, the 4099, Extreme SPL was designed for use on drums, percussion instruments and other very loud instruments like, for example, the trumpet. Both versions of this mic have a supercardioid polar pattern for high rejection and superior gain-before-feedback. The 4099 also retains a uniform off-axis frequency response to ensure a high-energy, clear live performance.
I’ve been using 4099 Instrument Microphones for many years, especially on cello and double bass. I really like them because they are so small, light and easy to install. They come with a fabulous range of accessories and are not invasive, even on small instruments such as violins. In terms of sound, they bring out the true nature of an acoustic instrument and deliver the deep, full-bodied, true low end bass that you expect to hear.
Let your instrument choose the mic
Please note that for each type of instrument we have pre-selected the following parts for you:
- Type of mount
- Type of microphone, i.e. Loud or Extreme SPL
- Type of microphone cable; Ø1.6 mm (0.06 in) or Ø2.2 mm (0.09 in)
- Type of XLR adapter, i.e. either DAD4099 (with build in low cut) or DAD6001 (without low cut)
With each package, you are instantly ready to play your instrument with the microphone attached.
Optional gooseneck extension
Detachable cables
Change the mount, not the mic
The 4099 Instrument Microphone is very adaptable, due to the wide selection of ingenious mounting options offered. Guitar, brass, flute, piano; it is no problem to mount the mic on any instrument. So finding a consistent sound for your mix has never been easier. The d:vote™ CORE 4099 Instrument Microphone comes with a wide variety of clips for use with specific instruments. Bass, brass, drum, violin and more!
A bit about supercardioids
Due to their nature, supercardioid mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with supercardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. In addition, supercardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.
Adapter system gives you flexibility
DPA miniature microphones work with all leading wireless mic solutions, such as, Sennheiser, Shure, Sony, Wisycom, Lectrosonics , Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come.
Violin, viola, banjo and mandolin
The 4099 CORE for Loud SPL is perfect for the violin, banjo and viola. Users will appreciate how gently this instrument condenser mic adheres to their prized instrument.
It is elegant, lightweight, unobtrusive and designed to stay out of the way during a passionate performance. The mounting mechanism makes it easy to move the mic between instruments with one hand.
Choose a 4099 CORE Instrument Microphone for Violin (4099-DC-1-199-V) for your violin, banjo or viola.
Drum
The 4099 CORE for Extreme SPL perfectly captures the booming sounds of drums and percussion instruments. Users will appreciate how gently this instrument condenser microphone adheres to their prized instrument. The mic can be easily positioned to fit different types of drums. The flexible gooseneck can be positioned at different angles to allow a variety of sound nuances. The mic is elegant, lightweight, unobtrusive and designed to stay out of the way during performances.
The mounting mechanism makes it easy to move the mic between instruments. The 4099 CORE Instrument Microphone for Drum includes a revolutionary ‘90° system which provides a wide range of mounting options.
By detaching the clip from the gooseneck and re-mounting it turned 90°, the number of mic positions is doubled. This mic can easily be combined with a wide variety of accessories. For the bass drum, the d:vote™ VC4099 Clip fits perfect on the rim.
Choose a 4099 CORE Instrument Microphone for Drums (4099-DC-2-201-D) for your drum kit and add a VC4099 clip for your bass drum.
Piano
This mic solution makes it easy to achieve a high level of isolation on stage. It also provides clean and transparent stereo sound quality with realistic dynamics.
It is a complete system, which includes a pair 4099 CORE mics for Loud SPL selected on sensitivity within ±1.5 dB. It includes two versatile magnet mounts/gooseneck systems that provide stable and repeatable positioning.
“The piano is the lead instrument and it’s what everyone follows. If they lose the piano or it doesn’t sound clear to them, it makes their job very difficult. The 4099 Instrument Microphones have enabled me to achieve a better quality and a more natural sound, which is my ultimate goal.”
Choose a 4099 CORE Stereo Microphone System for Piano (4099-DC-1-101-P).
Guitar, ukulele and dobro
The 4099 CORE for Loud SPL is perfect for PA amplification and live recording of acoustic guitar, mandolin, ukulele and dobro. It offers practically unlimited placement possibilities. The sound it provides is considerably more natural than an internal microphone or pick-up.
The mic fits instruments with a body depth between 35 mm (1.4 in) and 122 mm (4.8 in). Users will appreciate how gently this condenser mic adheres to their prized instrument. It is elegant, lightweight, unobtrusive and designed to stay out of the way during a performance. The mounting mechanism makes it easy to move the mic between instruments with just one hand.
Choose 4099 CORE Instrument Microphone for Guitar (4099-DC-1-199-G) for your guitar, mandolin, ukulele or dobro.
Saxophone
The 4099 CORE for Loud SPL is perfect for the entire saxophone family: soprano, alto, tenor or baritone. It also sounds great on the bass clarinet. It comes with a very versatile clip that can be used on all types of sax and brass instruments.
Users will appreciate how gently this condenser mic adheres to their prized instrument. It is elegant, lightweight, unobtrusive and designed to stay out of the way during performances. The mounting mechanism makes it easy to move the mic between instruments with just one hand.
Choose a 4099 CORE Instrument Microphone for Saxophone (4099-DC-1-199-S) for your soprano, alto, tenor or baritone saxophone or your bass clarinet.
Trumpet, trombone and other brass
The 4099 CORE for Extreme SPL is perfect for trumpet, trombone and other brass instruments that can make a lot of sound. You can use it with or without mute. The microphone effortlessly handles even the highest sound pressure levels.
An innovative mounting mechanism makes it easy to move the microphone between instruments with just one hand. The microphone and its mounting system are both designed and optimized for the brass family. This ensures that the best mounting and audio reinforcement is achieved when performing live.
Choose a 4099 CORE Instrument Microphone for Brass (4099-DC-2-199-T) for your trumpet, trombone and brass in general.
Bass
The 4099 CORE for Loud SPL is the perfect mic solution for PA amplification and live recording of acoustic upright bass. It offers a sound that is considerably more natural than an internal microphone or pickup. There are several excellent placement possibilities on the instrument.
The microphone and its mounting system are both designed and optimized for the double bass. This ensures that the best mounting and audio reinforcement is achieved when performing live. The mic clip attaches to the E- and G-string below the bridge. This ensures mic placement in the sweet spot between the bridge and fingerboard.
Choose a 4099 CORE Instrument Microphone for Bass (4099-DC-1-201-B).
Cello
For perfect PA amplification and live recording of a cello choose the 4099 CORE for Loud SPL, which includes a mounting clip meticulously designed and optimized for the violoncello. It offers a sound that is considerably more natural than an internal microphone or pickup.
The clip attaches to the C and A string below the bridge. This places the microphone capsule in the sweet spot between the bridge and fingerboard, offering a unique combination of natural string sound and high audio separation on stage.
Choose a 4099 CORE Instrument Microphone for Cello (4099-DC-1-201-C).
Accordion
This mic solution makes it easy to achieve a high level of isolation on stage. It also provides clean and transparent stereo sound quality with realistic dynamics. It is a complete system, which includes a pair of 4099 CORE for Loud SPL selected on sensitivity within ±1.5 dB. The two included mic clips can be attached permanently to the instrument using screws.
Choose a 4099 CORE Stereo Microphone System for Accordion (4099-DC-1-101-A).
Oboe, clarinet, bassoon, recorder and flute
This 4099 CORE for Loud SPL solution is designed to address the unique mounting challenges of slim bodied and unusually shaped instruments. The design of the microphone clip includes a hook-and-loop fastener strap, which allows it to fit instruments of varying sizes and diameters such as the oboe, clarinet, bassoon, recorder and flute.
The fastener strap pulls tight to fit the circumference of the instrument, like a wristwatch on your arm. On instruments of a large diameter, additional fastener straps can easily be added to extend the clip’s reach. It is lightweight, unobtrusive and designed to stay out of the way during performances, using a revolutionary 90°-system which provides a wide range of mounting options. By detaching the clip from the gooseneck and re-mounting it turned 90°, the number of mic positions is doubled.
Choose a 4099 CORE Universal Instrument Microphone (4099-DC-1-101-U) for your oboe, clarinet, bassoon, recorder and flute.
Clamp Mount
The 4099 CORE for Loud SPL with a mount designed to be flexible, easy to use and quick to move. With a strong spring, the mount can be clamped onto many surfaces and instruments such as saxophones and brass instruments.
Choose a 4099 CORE Instrument Microphone with Clamp Mount (4099-DC-1-101-CM).
This mount has both 3/8″ and 5/8″ threads thanks to the supplied insert. The construction of the holder allows for quick and easy insertion and removal of the microphone. In addition, the holder can be rotated so that the microphone is oriented vertically or horizontally.
Choose a 4099 CORE Instrument Microphone with Stand Mount (4099-DC-1-101-MS)
Specifications
4099 for Loud SPL
With DAD6001-BC or DAD4099-BC: P48 (Phantom Power). Will work from 12 V
Instrument Microphone Clamp Mount (CM4099): 16 g (0.56 oz)
Instrument Microphone Clip for Accordion (AC4099): 5 g (0.18 oz)
Instrument Microphone Clip for Bass (BC4099): 20 g (0.71 oz)
Instrument Microphone Clip for
4099 – Loud SPL Frequency response
Typical on and off-axis response of a 4099 measured at 20 cm (7.9 in)
Polar pattern
Typical directional characteristics of a 4099
With DAD6001-BC or DAD4099-BC: P48 (Phantom Power). Will work from 12 V
Instrument Microphone Clamp Mount (CM4099): 16 g (0.56 oz)
Instrument Microphone Clip for Accordion (AC4099): 5 g (0.18 oz)
Instrument Microphone Clip for Bass (BC4099): 20 g (0.71 oz)
Instrument Microphone Clip for
4099 – Extreme SPL Frequency response
Typical on and off-axis response of a 4099 measured at 20 cm (7.9 in)
Typical directional characteristics of a 4099