Adjust this switch for the desired amount of input gain, stepped, from +4 to +33db.

Rigorously tested at Abbey Road Studios on a variety of sources and against some of the most famous and classic microphones in recording industry history, the REDD microphone excelled.

Abbey Road’s former Chief Engineer, Peter Cobbin-

“During the development I have had the opportunity to road test this mic on the best of acoustic applications. Abbey Road has one hell of a mic collection and by making comparisons to other legendary and vintage microphones has given us a serious benchmark to work to.

Typically for recording an artist like Sting I would use 3 classic microphones and choose the best.  For recording rare Stradivarius cellos worth millions I would reach for something really special. On almost every application from acoustic guitars, hand percussion, vocal artists to full symphonic orchestras, in my comparative testing The REDD mic shines above them all. “

The  Chandler Limited REDD Microphone was designed to handle a variety of source material, including: vocals, strings, piano, drums, bass guitar, electric and acoustic guitars.

Features available from the microphone body, include: REDD.47 Mic Amplifier, providing nine gain selections, from +4 to +33db in the ‘NORM’ position, extended gain and punch in ‘DRIVE’ mode for more tonal and coloration possibilities, switchable Cardioid/Omni patterns, 10db Pad, and Phase reverse. Continuous output and low-contour control are accessible from the high-quality external power supply.

Shockmount, 25’ Mogami microphone cable, PSU, and custom molded flight case, featuring high-density rigid foam, are included.

NOTE: Actual PSU differs from early promotional images, the final release PSU was updated, adding a jewel light to the front panel, and relocating the power switch to rear.

Abbey Road Studios, EMI, REDD and their associated logos are trademarks of EMI (IP) Limited.

REDD Microphone Technical Specifications