Audient iD14 Audient

Audient iD14

Get Creative
10in/4out Audio Interface

Audient Console Mic Pres
The professional sound you deserve

Features

•     10-in/4-out USB Audio Interface
•     2 x Class-A Audient Console Mic Preamplifiers
•     High Performance Burr Brown AD/DA Converters
•     iD ScrollControl Mode
•     1 x Discrete JFET Instrument Input
•     Main Speaker Output
•     Independent Class-AB Headphone Output
•     Full Monitor Control Functionality (software controlled)
•     ADAT Input for Expandability
•     Low Latency DSP Mixer
•     USB2.0 Bus Powered
•     24bit/96khz
•     All-Metal Enclosure
•     Free plugins and software with ARC

Specifications
MICROPHONE PREAMPLIFIER:
(measurement includes ADC signal path)
MIC GAIN:     0 to 66 dB (inc. +10 dB software boost)
LINE GAIN:     -10 to 56 dB (-10dB hardwired line pad)
PHANTOM POWER:     48V ±4V @ 10mA/Channel (12VDC only)*
MIC EIN:     <-127.0 dBu
CMRR:     >80 dB @ 1kHz
MAXIMUM INPUT LEVEL:     +12 dBu (0 dBFS digital Maximum)
INPUT IMPEDANCE (Mic):     2.8 kΩ Balanced
INPUT IMPEDANCE (Line):     >8kΩ Balanced
FREQUENCY RESPONSE:     ±0.1 dB 20Hz to 22kHz @ min. gain
±1.0 dB 20Hz to 22kHz @ max. gain
CROSSTALK:     <-90 dBu
THD+N @ 0dBu (1kHz):     0.0025% (-92 dBu)
SNR:     96 dB un-weighted, 99 dB A-weighted
XLR Combi Female     Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield)
1/4″ TRS Jack     Tip (Hot), Ring (Cold) & Sleeve (Shield)
D.I (Channel 1):
D.I GAIN:     0 to 66 dB (inc. +10 dB software boost)
MAXIMUM INPUT LEVEL:     +9 dBu (0.6% THD typical)
INPUT IMPEDANCE:     >500kΩ Unbalanced
FREQUENCY RESPONSE:     ±0.1 dB 20Hz to 22kHz
THD+N @ 0dBu (1kHz):     <0.04% all musical 2nd and 3rd harmonics
SNR:     95 dB un-weighted, 98 dB A-weighted
1/4” JACK:     TIP (Hot) & SLEEVE (Shield)
ANALOGUE TO DIGITAL CONVERTER (ADC 1 & 2):

(measured sans microphone preamplifier under AES-17)
MAXIMUM INPUT LEVEL:     +12 dBu (0 dBFS digital maximum)
DIGITAL REFERENCE LEVEL:     +12 dBu = 0 dBFS
FREQUENCY RESPONSE:     ±0.1 dB 10Hz to Fs/2 (flat to nyquist)
CROSSTALK:     -100 dBu @ 1kHz & 10kHz
THD+N @ -1dBFS (1kHz):     <0.002% (-94 dB)
THD+N @ -6dBFS (1kHz):     <0.0015% (-97 dB)
DYNAMIC RANGE:     113 dB un-weighted
116 dB A-weighted
DIGITAL TO ANALOGUE CONVERTER (DAC 1&2):

(measured under AES-17 at line outputs 1&2)
MAXIMUM OUTPUT LEVEL:     +12 dBu (0 dBFS digital maximum)
DIGITAL REFERENCE LEVEL:     +12 dBu = 0 dBFS
OUTPUT IMPEDANCE     <100Ω Balanced
FREQUENCY RESPONSE:     ±0.1 dB 10Hz to Fs/2 (flat to nyquist)
CROSSTALK:     <-105 dBu @ 1kHz & 10kHz
THD+N @ -1dBFS (1kHz):     <0.003% (-90.5 dB)
DYNAMIC RANGE:     114 dB un-weighted
117 dB A-weighted
1/4″ TRS Jack     Tip (Hot), Ring (Cold) & Sleeve (Shield)
HEADPHONE OUTPUT (DAC 3&4):

(measured under AES-17 at phones output)
MAXIMUM OUTPUT LEVEL:     +12 dBu
DIGITAL REFERENCE LEVEL:     +12 dBu = 0 dBFS
VOLTAGE GAIN:     +6 dB (optimised for loudness)
OUTPUT IMPEDANCE:     <30 Ω Balanced
FREQUENCY RESPONSE:     ±1.0 dB 10Hz to Fs/2 (load dependant)
CROSSTALK:     -100 dBu @ 1kHz & 10kHz
THD+N @ -1dBFS (1kHz):     <0.002% (-94 dB)
DYNAMIC RANGE:     108 dB un-weighted
111 dB A-weighted
MAX LEVEL INTO 30ohms:     +4 dBu, 0.005% THD+N, Power: 101mW
MAX LEVEL INTO 60ohms:     +5 dBu, 0.004% THD+N, Power: 64mW
MAX LEVEL INTO 600ohms:     +13 dBu, 0.0025% THD+N, Power: 39mW
1/4” JACK:     TIP (Left), RING (Right) & SLEEVE (Shield)
DIGITAL INPUT:
8-CHANNEL ADAT:     44.1kHz to 48kHz
4-CHANNEL ADAT:     88.2kHz to 96kHz SMUX
STEREO S/PDIF / TOSLINK     44.1kHz to 96kHz (Stereo)
USB 2.0 HIGH SPEED:
BUS POWER:     500mA @5V System Limit
425mA @5V Maximum (No 48V)
(Phantom power only available on 12VDC)*
No. of INPUT CHANNELS:     10 (2 Analogue, 8 Digital)
No. of OUTPUT CHANNELS:     4 (4 Analogue)
DSP MIXER LATENCY:     ROUND TRIP (in-to-out)
44.1kHz 1.660ms
48.0kHz 1.531ms
88.2kHz 0.844ms
96.0kHz 0.771ms
DAW Roundtrip Software Monitoring Latency @ 32 Sample Buffer (in to out):
44.1 kHz     6.52ms
96.0 kHz     4.65ms
 
POWER SUPPLY:
12VDC Centre Positive – 1.25A (required for full 48V Phantom Power)*

* iD14 requires a lot of power for class leading converters and class-A microphone preamplfiers. We could not beat the laws of physics so an external supply is required for 48V phantom power. Your microphones will thank you when they get enough voltage!