Due to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The C5300/WL is based on the same principle as the C5300, and can be ordered with different connectors for selected wireless transmitters to obtain the highest sound quality as well as high flexibility in order to move around on the stage in live productions.

The REMIC wireless solutions are developed to fit selected wireless systems from Shure and Sennheiser.

In order to choose the correct connector, you need to select the connector needed for a particular wireless transmitter, please see supported wireless solutions below:

SUPPORTED WIRELESS TRANSMITTERS:

SHURE w/TA4F Connector | FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M
SHURE w/3P LEMO Connector | UR1M

SENNHEISER w/3.5 TRS Connector | SK100G3/G4, SK300G3/G4, SK500G3/G4
SENNHEISER w/LEMO-3 Connector | SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

MORE ABOUT THE “/WL” MODEL:

The REMIC C5300/WL microphone model is the same as the normal REMIC C5300 model, only it comes with a custom selected connector. It delivers a natural and open sound, an extreme accuracy and fast transient response that captures the finest and most delicate overtones of the instrument.

The REMIC C5300/WL is used for studio & live performance of chamber, classical, jazz and folk music.
Superior gain before feedback.
Moderate suppression of neighbor instruments and ambient noise.
For moderate amplification of symphony orchestras, ensambles, bands and solists.

With Built-In Windshield

All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.

• BEST FEEDBACK SUPPRESSION
• BEST SOUND QUALITY
• BEST INNOVATIVE MOUNT

C5300 WL Cello/Violone – Studio/Live mic. for wireless systems

Due to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES
have been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The REMIC C5300 /WL is based on the same principle as the REMIC C5300, and can be ordered with different connectors for
selected wireless transmitters to obtain the highest sound quality as well as high flexibility in order to move around on the stage in live productions.

The REMIC wireless solutions are developed to fit selected wireless systems from Shure and Sennheiser. In order to choose the correct connector, you need to select the connector needed for a particular wireless transmitter, please see supported wireless solutions below:

SUPPORTED WIRELESS TRANSMITTERS:

SHURE w/TA4F Connector | FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M
SHURE w/3P LEMO Connector | UR1M

SENNHEISER w/3.5 TRS Connector | SK100G3/G4, SK300G3/G4, SK500G3/G4
SENNHEISER w/LEMO-3 Connector | SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

MORE ABOUT THE “LB/WL” MODEL:

The REMIC C5300/WL microphone model is the same as the normal REMIC C5300 model only with a different connector.

The REMIC C5300/WL is designed for studio and live productions and delivers a natural and open sound, an extreme accuracy and fast transient response that captures the finest and most delicate overtones of the instrument.
High definition condenser microphone with superior feedback suppression and high isolation of nearby instruments.
Since there is no clamps and clips in order to mount and hold the microphone, you will retain the aesthetic appearance of your instrument.

With Built-In Windshield

All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.